20th-century Rome on display: bonds to see, correspondences to touch.
A common thread between letters and brushes. A journey between writers and painters.
6 writers 6 artistic threads
For Studio Visuale, 'curating an exhibition' is a noble craft. It allows us to keep learning,
forces us to look at everything with fresh eyes, and demands constant experimentation.
It was the same for this project. We found ourselves moved once again rereading
Moravia's words and hearing the echo of the Futurists' mechanical force.
The visual translation
of Legami e Corrispondenze
At the start of the last century, the "bonds" and "correspondences"
in Rome among writers and artists of every kind created, over the span
of a few decades, a fertile and unmatched exchange.
That period, fervent and perilous, is at the heart of the exhibition
and guided us in shaping the visual
and informational apparatus.
Visitors access in-depth content
through interaction with multimedia tables
Everything started from a shared vision, defined in the project team's
first meetings. A diverse team, as is now necessary,
to handle every medium. Researchers, curators, architects, designers, directors,
developers — all working together for the end user.
300
OF PRINTED
GRAPHICS
8
DEVICES
36
SECTIONS
223
of IN-DEPTH CONTENT
129
on display
8
ROOMS
3
OF WORK
1
OF OVER
10 PEOPLE
PROJECT CREDITS
Studio Visuale project team
Ivo Arzenton, Marco Auriemma, Daniele Balcon,
Yegor Borisenco, Tomaso Cariboni, Manola Cervesato,
Luca Fattore, Corrado Loschi, Francesco Pia,
Remo Romano, Michele Zannoni.
Architects
Francesco Stefanori and Andrea Pesce Delfino
Scientific committee and curation
Federica Pirani, Gloria Raimondi, Maria Catalano
Client
Zètema Progetto Cultura, Renata Sansone
with project management by Francesca Plonski
Exhibition promoted by
Roma Capitale, Department of Cultural Policies
and Historic Center – Capitoline Superintendency
